Beauty, confidence, exuberance, intelligence and tenacity. These are just a few adjectives I would use to describe this talented artist. Born in the Cameroon, West Africa, Achu came to the Uk at the age of nine. An inquisitive and creative child, Achu used found materials to start to make art. Gaining A grades at both GCSE and A level art, Achu decided not to follow the path of art education that her mother wanted for her and went on to study and qualify in architecture. Achu went on to work in the field of architecture until the economy collapsed in 2008 when she was made redundant. Just before that time, Achu had been considering what to do because of the fact that her husband lived in the United States. Achu’s first exhibition entitled the “30th Act,” took place in April of 2009, coinciding with her 30thbirthday. Achu’s exhibitions and exposure have been spiraling ever since.Having only been active for three years, Achu has achieved rather a lot. With more than 20 exhibitions under her belt, I was very interested to find out about her views regarding success in the art world, specifically from the perspective of a black female artist trying to gain recognition from a patriarchal predominantly white, middle class establishment.
Question to my African followers out there.
Is wearing Kente cloths/African styled patterns appropriative for non-african blacks? Do you see it as appropriation when African Americans where these patterns on non-traditionally african articles of clothing? Such as bowties/snapback hats/t-shirts etc?
this might be really weird and incoherent, and i might be totally wrong on my history facts, so other folk (ahem, perrrolike) please feel free to correct me if i’m off
with ankara/wax print, wasn’t it like a dutch import or something? for that/some reason, it doesn’t bother me when african americans wear it in the non-traditional way like bowties, etc. however, i don’t like white people wearing ankara at all, and i don’t like african americans wearing traditional outfits because those are very specific, so it feels appropriative to me
with kente, yo, that shit is appropriative. my ghanaian peeps have broken down the significance of kente and it irks me to see it made into fucking skirts at urban outfitters or wherever. it’s just wrong. no. idk, i feel its way more specific than ankara, just like adire is.
or like coral beads. oh lawd, the coral.
some shit needs to be left alone for its people.
