The Feel Of Free

Question to my African followers out there.

quintessential-queer:

Is wearing Kente cloths/African styled patterns appropriative for non-african blacks? Do you see it as appropriation when African Americans where these patterns on non-traditionally african articles of clothing? Such as bowties/snapback hats/t-shirts etc?

this might be really weird and incoherent, and i might be totally wrong on my history facts, so other folk (ahem, perrrolike) please feel free to correct me if i’m off

with ankara/wax print, wasn’t it like a dutch import or something? for that/some reason, it doesn’t bother me when african americans wear it in the non-traditional way like bowties, etc. however, i don’t like white people wearing ankara at all, and i don’t like african americans wearing traditional outfits because those are very specific, so it feels appropriative to me

with kente, yo, that shit is appropriative. my ghanaian peeps have broken down the significance of kente and it irks me to see it made into fucking skirts at urban outfitters or wherever. it’s just wrong. no. idk, i feel its way more specific than ankara, just like adire is. 

or like coral beads. oh lawd, the coral. 

some shit needs to be left alone for its people.


dynamicafrica:

Don Jazzy starts new label, signs Tiwa Savage
Former Mohits co-owner with D’Banj, Don Jazzy has made public his new record label, Mavin Records after his publicised split with D’Banj.The 30 years old top producer announced this through a micro-blogging site, Twitter.He tweeted, “MAVIN ACTIVATED”He also told his fans that Mavin Records drops an album tomorrow titled Solar Plexus. It would be free for download for fans that join his MavinLeague.Don Jazzy further tweeted, “the Solar Plexus album drops Tomorrow 8th of May. “You would be able to download the album for FREE as long as you ve joined the MavinLeague. The album was done in 3 weeks. We thank God. No time to sleep.”Meanwhile, the label has had its first female signing. Tiwa Savage, who Don Jazzy did a song with in 2011, became the first female act of the label. She also becomes the first act not in the Mohits Record artistes that went with Don Jazzy.Other acts in Mavin Records include; Dr Sid, Wande Coal and DaPrince.You will recall that Don Jazzy and D’Banj ended their nine years relationship as Mohits Record co-owners this year.
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dynamicafrica:

Don Jazzy starts new label, signs Tiwa Savage

Former Mohits co-owner with D’Banj, Don Jazzy has made public his new record label, Mavin Records after his publicised split with D’Banj.

The 30 years old top producer announced this through a micro-blogging site, Twitter.

He tweeted, “MAVIN ACTIVATED”

He also told his fans that Mavin Records drops an album tomorrow titled Solar Plexus. It would be free for download for fans that join his MavinLeague.

Don Jazzy further tweeted, “the Solar Plexus album drops Tomorrow 8th of May. 

“You would be able to download the album for FREE as long as you ve joined the MavinLeague. The album was done in 3 weeks. We thank God. No time to sleep.


Meanwhile, the label has had its first female signing. Tiwa Savage, who Don Jazzy did a song with in 2011, became the first female act of the label. She also becomes the first act not in the Mohits Record artistes that went with Don Jazzy.

Other acts in Mavin Records include; Dr Sid, Wande Coal and DaPrince.

You will recall that Don Jazzy and D’Banj ended their nine years relationship as Mohits Record co-owners this year.


The man behind the ‘Netflix of Africa’ →

dynamicafrica:

Iroko Partners is one of the fastest growing internet companies in Nigeria. Its iROKOtv online movie streaming platform, which has exclusive rights to distribute Nollywood films, is making ripples in the technology and entertainment scenes. The company’s founder and CEO Jason Njoku says iROKOtv is the African version of popular American movie streaming service Netflix. Njoku shared his plans for the company with How we made it in Africa’s Dinfin Mulupi.

What inspired you to start iROKOtv?

Coming from a Nigerian family, I have always had a sense of the power of Nollywood films. I had difficulties when my mother asked me to get her some. Other family members also struggled to get their hands on their favourite films. I soon realised that there was a gap in the market since the films were only available on DVDs, which were quite difficult to find in the West.

I bought the online licences for as much Nollywood content as I could and started to distribute them online. Today, iROKO is the largest online distributor of Nollywood films. In our first year we had over 152 million viewers. We launched iROKOtv or the ‘Netflix of Africa’, which has a library of over 4,800 movies all of which people can access from across the world.

Describe the impact of iROKOtv on the Nigerian movie industry?

Without a doubt, I would say that iROKOtv has finally made the Nigerian movie industry accessible to the African diaspora. Even more than that, since we arrived and started paying to distribute the films online, the producers are able to monetize their content more than ever before and receive a proper fee for their work rather than seeing their income diluted because of the current chaotic and often illegal distribution system. Producers are able to reinvest in their films, making new movies of better quality, which will ultimately benefit the industry as a whole.

The investment made by Tiger Global has also introduced Nollywood to the attention of the business world. Nollywood is going global. We are at the forefront of this and have grown to such an extent that there is no-one currently in as strong a position as us to dominate this market.

Iroko Partners recently received an US$8 million investment from Tiger Global Management, a New York-based venture and private equity fund. How do you intend to use this money?

Eight million dollars is a lot by any standards and we plan to use it to invest in more content and to develop the business further. Content is expensive and by paying the higher prices, we also create barriers to entry.

iROKOtv is a relatively young business, but we want to develop and grow, especially in Western markets and with this investment, we have the opportunity to do so. So far, we’ve only just started to scratch the surface in terms of where we can take iROKOtv.

If users can watch movies for free, how do you generate revenue?

At present we have an advertising model although later on this year, we will be moving to a subscription model for top movies as well as an advertising strand for revenue generation.

How does slow internet affect the viewer experience in Nigeria?

At present, more people watch iROKOtv in London than they do in the whole of Nigeria. This will change in the future once broadband connections have penetrated the market. However, we do have a number of mobile apps that make it easier for Nigerians to access our great content.

How vibrant is Nigeria’s technology scene?

The whole African tech scene is very exciting, dynamic, bold and ready to burst onto the global scene. Africa is just starting to come online and there is so much potential in this market, not just in Nigeria.

What advice would you give to aspiring African entrepreneurs?

Spot an opportunity, make a plan and run with it. I definitely had the right idea, in the right place, at the right time and I knew I could do it. I learnt from my mistakes, but still kept true to my own vision. You need to have that kind of confidence to make these things work. Don’t hang around waiting for things to happen.

What are your future plans for Iroko Partners?

At the moment we are exploring all our options. We want to invest in more content and to develop the iROKOtv platform. Ultimately, subscribers might have to pay for the newest releases on the channel, but we’re still exploring that option. Our biggest markets are in the West and as Africa comes online we expect our numbers to increase super quickly. We are focusing on building our London office and starting up an office in New York soon. We’ve only just started to unlock the potential for Nollywood and we are excited about it.


b-sama:

Art Success: Adelaide Damoah in Conversation with Shiri Achu


Beauty, confidence, exuberance, intelligence and tenacity. These are just a few adjectives I would use to describe this talented artist. Born in the Cameroon, West Africa, Achu came to the Uk at the age of nine. An inquisitive and creative child, Achu used found materials to start to make art. Gaining A grades at both GCSE and A level art, Achu decided not to follow the path of art education that her mother wanted for her and went on to study and qualify in architecture. Achu went on to work in the field of architecture until the economy collapsed in 2008 when she was made redundant. Just before that time, Achu had been considering what to do because of the fact that her husband lived in the United States. Achu’s first exhibition entitled the “30th Act,” took place in April of 2009, coinciding with her 30thbirthday. Achu’s exhibitions and exposure have been spiraling ever since.
Having only been active for three years, Achu has achieved rather a lot. With more than 20 exhibitions under her belt, I was very interested to find out about her views regarding success in the art world, specifically from the perspective of a black female artist trying to gain recognition from a patriarchal predominantly white, middle class establishment.
 



http://www.adelaidedamoah.com/2012/04/art-success-adelaide-damoah-in.html

b-sama:

Art Success: Adelaide Damoah in Conversation with Shiri Achu

Beauty, confidence, exuberance, intelligence and tenacity. These are just a few adjectives I would use to describe this talented artist. Born in the Cameroon, West Africa, Achu came to the Uk at the age of nine. An inquisitive and creative child, Achu used found materials to start to make art. Gaining A grades at both GCSE and A level art, Achu decided not to follow the path of art education that her mother wanted for her and went on to study and qualify in architecture. Achu went on to work in the field of architecture until the economy collapsed in 2008 when she was made redundant. Just before that time, Achu had been considering what to do because of the fact that her husband lived in the United States. Achu’s first exhibition entitled the “30th Act,” took place in April of 2009, coinciding with her 30thbirthday. Achu’s exhibitions and exposure have been spiraling ever since.
Having only been active for three years, Achu has achieved rather a lot. With more than 20 exhibitions under her belt, I was very interested to find out about her views regarding success in the art world, specifically from the perspective of a black female artist trying to gain recognition from a patriarchal predominantly white, middle class establishment.
 

YASSSSSS

sometimes i tell people i dance, and they want to know what style, but if i say african, they think ‘west african dance’ and it irritates me to no end because….that’s not how we’re dancing back home, y’know? 

androgynousblackgirl:

THIS IS AFRICA had a “Top 10 African Dance Crazes” : from “Azonto” to “Yahooze” dances (You can watch all the dances on the list there).

Above are:

  • Soukous/Lingala (Congo, Kenya, Uganda and Tanzania)
  • Azonto (Ghana)
  • Shangaan Electro Dance (South Africa)
  • Hlokoloza Dance (South Africa)

click through for the audio for chief boima’s podcast and a free download
the playlist;
01 DJ Arafat “Frapper Naboula Tala” (Ivoir Mix DJ)02 Chief Boima “Last Night of Your Life” (Dutty Artz)03 BB Ramazani “Fouka Fouka” (X-pol)04 Dollar R DJ “Wolosso Azoubagehi” (Section Zouk/Score)05 Abou Nidal “Wrou Wrou”06 DJ Passon “Kuduro Logobie”07 DJ Bax “Kro. D’F.L.O Gringo” (Bazzerk)08 Chief Boima “Logobi 1”09 Chief Boima “Decolator” (Dutty Artz)10 The Shine feat. Jimmy “Qual é a Dica”11 Crystal Fighters “At Home (Cousin Culo Remix)”12 Chief Boima “Cape Verdians in Paris”13 MC Cidinho “Dinheiro (Maga Bo Remix)” (Comando Digital)14 Walter Ananaz “Mboia” (Bizness Music/Bomaye Musik/Sérios L)15 J. Martins & Cabo Snoop “Good Tym” (Don Family/Storm)16 Oz Kiezos “Princeza Rita” (Lusafrica France)17 DJ Eridson feat. Dj D.D.Cabeça “D.D 122 Dor de Cabeça”18 Tshala Muana “Libanga Yatalo” (Syllart)19 Osunlade “Envision (Dixon Version)” (Innervisions)20 AJEButter 22 feat. Taymi B “Senrenre” (Studio Magic)21 Geelex feat. Appietus & E.L “Bend Ya Body” (Agany Entertainment)22 Lamin Fofana “Brokedown City (Aramac Remix)” (Sticks n’ Stones)23 Sorie Kondi “Without Money No Family (Chief Boima Remix)” (Dutty Artz) View Larger

click through for the audio for chief boima’s podcast and a free download

the playlist;

01 DJ Arafat “Frapper Naboula Tala” (Ivoir Mix DJ)
02 Chief Boima “Last Night of Your Life” (Dutty Artz)
03 BB Ramazani “Fouka Fouka” (X-pol)
04 Dollar R DJ “Wolosso Azoubagehi” (Section Zouk/Score)
05 Abou Nidal “Wrou Wrou”
06 DJ Passon “Kuduro Logobie”
07 DJ Bax “Kro. D’F.L.O Gringo” (Bazzerk)
08 Chief Boima “Logobi 1”
09 Chief Boima “Decolator” (Dutty Artz)
10 The Shine feat. Jimmy “Qual é a Dica”
11 Crystal Fighters “At Home (Cousin Culo Remix)”
12 Chief Boima “Cape Verdians in Paris”
13 MC Cidinho “Dinheiro (Maga Bo Remix)” (Comando Digital)
14 Walter Ananaz “Mboia” (Bizness Music/Bomaye Musik/Sérios L)
15 J. Martins & Cabo Snoop “Good Tym” (Don Family/Storm)
16 Oz Kiezos “Princeza Rita” (Lusafrica France)
17 DJ Eridson feat. Dj D.D.Cabeça “D.D 122 Dor de Cabeça”
18 Tshala Muana “Libanga Yatalo” (Syllart)
19 Osunlade “Envision (Dixon Version)” (Innervisions)
20 AJEButter 22 feat. Taymi B “Senrenre” (Studio Magic)
21 Geelex feat. Appietus & E.L “Bend Ya Body” (Agany Entertainment)
22 Lamin Fofana “Brokedown City (Aramac Remix)” (Sticks n’ Stones)
23 Sorie Kondi “Without Money No Family (Chief Boima Remix)” (Dutty Artz)


dynamicafrica:

From the series: Emissaries of an iconic religion by Nigerian artist Adolphus Opara

Adolphus Opara born 1981 in Nigeria, is a freelance documentary photographer based in Lagos.

He studied computer science at Ambrose Alli University and worked for Nimbus Art Centre, Lagos before embarking on his photography career.

Adolphus has covered assignments for both local and international media.

(read more)

(Source: )